avr 2021
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lun 02/07/2018 > ven 06/07/2018

Tine Van Aerschot - het betreft liefde

het betreft l iefde is een voorstelling die vertelt over liefde. Het is een voorstelling die liefde toont en die liefde ademt. Het gaat over liefde toen en nu. Liefde van het kind, liefde van de volwassene, liefde van de oudere. Het gaat over de geschiedenis van liefde en de ontwikkeling van liefde. Het gaat over liefde tussen drie aanwezig [...]
 

lun 25/06/2018 > sam 30/06/2018

Fleur Khani

Fleur is an actress who’s married to the theatre but she’s been having a hot steaming affaire with the music industry for a while. KHANI plunges into the world of poppy beats, fashion, performance and mysterious femininity driven by her fascination for the underground electro scene in Brussels, London and Berlin. In this residence she will be
 

lun 11/06/2018 > sam 30/06/2018

Estelle Delcambre

What is left from a sensation ? An emotion ? A situation ? An encounter ? Which traces remain anchored in my skin, in my heart, in my body ? Which traces do we leave behind us ? How can an ephemeral act become a trace ? How can the past influence the present, and the present change the past ? In this solo research, Estelle decided to work
 

lun 04/06/2018 > sam 30/06/2018

Silke Huysmans & Hannes Dereere - New Research

The two theater makers are currently doing new research on the consequences of extreme mining through documentary material, field interviews and conversations. The production of this new multi-perspective theatrical essay will move from Kunstenwerkplaats Pianofabriek to CAMPO from January 2019
 

lun 04/06/2018 > sam 23/06/2018

Julie Pfleiderer - Safe

The 21st century Western world tries to have explanations for everything, to be in control via medicine, science, politics, economy, and social media. What if there are phenomena, gaps or research fields where we don’t find answers ? What if something remains inexplicable, indefinable, incalculable ? Fields of empirical knowledge that we
 

mar 22/05/2018 > jeu 31/05/2018

Renée Goethijn

In this research project Renée Goethijn explores how she can give a scenographic expression of the contemporary fast-transforming world and the human beings trying to keep up. Together with scenographer Stefan Jakiela, they explore the impact of man over the environment and vice versa. Influenced by sci-fi futuristic images and predictions, [...]
 

lun 16/04/2018 > dim 29/04/2018

Louis Vanhaverbeke - Mikado Remix

One of the questions most frequently asked on Google is ‘How can I be normal ?’ We all want to be as normal as possible, but how do you define it ? Reference works on psychology summarise the abnormalities, but remain vague about what is normal. Our urge to be normal often has nothing to do with what is going on inside us, but more with our
 

lun 19/03/2018 > sam 31/03/2018

Yassin Mrabtifi - From Molenbeek with Love

In From Molenbeek with Love zoek ik de dialoog op met de toeschouwer. Ik knoop gesprekken aan over de invloed van kunst op maatschappij en identiteit, over mijn Brusselse thuisgemeente Molenbeek. Dans is mijn taal : een eigenzinnige mélange van hiphop, vogueing, hedendaagse dans en stand-up comedy. Ik ben Yassin Mrabtifi. Ik ben 33. Ik ben [...]
 

lun 05/03/2018 > dim 18/03/2018

Leandro Nerefuh - Orphic Exuberance vs. Solar Capitalism

This work is based on cultural narratives about the Sun and the sentiments it generates of ‘exuberance’ - often related to ideas of tropical subjectivity and art ; and ‘cosmic anxiety’ - often related to the uncertainty of the future of planet earth for humans. Solar Capitalism is when the worldwide integrated capital takes hold of the solar myth [...]
 

sam 03/03/2018 > dim 04/03/2018

Michiel Vandevelde- Paradise Now

‘Paradise now (1968-2018)’ is a performance with 13 youngsters. The legendary performance ‘Paradise now’ from The Living Theatre serves as a starting point. Michiel Vandevelde looks with a new generation of youngsters to how the world has evolved during these 50 years between 1968 and 2018. What has remained from the questions, desires and values [...]
 

lun 26/02/2018 > dim 11/03/2018

Aurelie Di Marino - If there weren’t any blacks you’d have to invent them

Five actors attempt to translate the view on racism and identity from the mythical 60s into current terms. Aurelie Di Marino invites Ahilan Ratnamohan, Benjamin Op de beeck, Nona Buhrs, Farbod Fathinejadfard and Kaat Arnaert to put ‘If there weren’t any blacks you should have to invent them’ on stage, a 1968 filmscript written by Johnny Speight.
 

lun 19/02/2018 > ven 23/02/2018

Sanja Mitrovic - MY REVOLUTION IS BETTER THAN YOURS

In May 2018, half a century will have passed since the riots and strikes in France created one of the most iconic cultural landmarks of the XX century. But the student protests in Paris were only one face of a global network of self-organised grassroots movements and rebellions — the Black Panthers and demonstrations against the Vietnam War in [...]
 

lun 12/02/2018 > dim 18/02/2018

Hagar Tenenbaum

In this period Hagar Tenenbaum will focus on two aspects that exist while she’s dancing : repetition and imitation. "I see imitation as a very accessible tool that allows me to approach the body as a sensorial surface that can translate what it sees to movement by imitating shapes, grooves and expression. And Instead of looking at
 

lun 05/02/2018 > dim 11/02/2018

Veli Lehtovaara - Conversations

Living is a form of movement – from seaweed to birds, from trees to snakes, and from bacteria to human beings. In Veli Lehtovaara’s new work Conversations, three dancers converse through movement and words with other forms of nature, their contemporaries, their ancestors, each other, and the audience. The register of the group conversation
 

lun 29/01/2018 > dim 11/02/2018

Katja Dreyer - Ophelia Comes to Brooklyn

”the self is also a creation, the principal work of your life, the crafting of which makes everyone an artist. This unfinished work of becoming only ends when you do, if then and the consequences live on.” Rebecca Solnit, The Faraway Nearby Ophelia Comes to Brooklyn is a theatre text written by Antje Katcher in 1982. Antje immigrated from a
 

mer 10/01/2018 > dim 11/03/2018

Myriam Van Imschoot - YODEL PORTRAIT YOUYOU

Yodel Portrait YOUYOU is een nieuwe episode in een portrettenreeks van vocalisten die Myriam Van Imschoot filmde. Jodelen is een metafoor voor de stem die breekt, buitelt en struikelt op de rand van virtuositeit en kwetsbaarheid. In Yodel Portrait YOUYOU staat de Arabische yodel centraal. Zo wordt de youyou (in het Frans) of de zaghareet (in [...]
 

lun 04/12/2017 > ven 15/12/2017

Anna Maria Häkkinen

During this residency, Finnish choreographer Anna Maria Häkkinen and her team are looking for new ways to make movement-based dance after an era that questioned the flow of movement. The work aspires towards freedom and euphoria through compositional and material discipline by creating a pre-composed choreography that liberates the dancer from [...]
 

lun 27/11/2017 > ven 08/12/2017

Katja Dreyer - Ophelia Comes to Brooklyn

”the self is also a creation, the principal work of your life, the crafting of which makes everyone an artist. This unfinished work of becoming only ends when you do, if then and the consequences live on.” Rebecca Solnit, The Faraway Nearby Ophelia Comes to Brooklyn is a theatre text written by Antje Katcher in 1982. Antje immigrated from a
 

lun 06/11/2017 > dim 26/11/2017

AURELIE DI MARINO - If there weren’t any blacks you’d have to invent them

Five actors attempt to translate the view on racism and identity from the mythical 60s into current terms. If there weren’t any blacks you’d have to invent them is a 1968 film by Johnny Speight. Almost exactly 50 years after this film was released, 5 actors play themselves to pieces in a re-enactment by taking on no less than 16 roles !
 

lun 16/10/2017 > mer 01/11/2017

Oneka Von Schrader - She

SHE is a performance by the Austrian choreographer Oneka von Schrader. Her work explores the dunes between the land and sea of holy and practical, while researching movement as a means to stretch away from representation and fixed positions in a wish for swimming with the flux. Only to interrupt it. A little. Just kidding. SHE is a solo
 

lun 16/10/2017 > mar 31/10/2017

Ogutu Muraya - Because I Always Feel Like Running

In Because I always feel like running, Ogutu Muraya navigates the phenomenon and politics of running. In East Africa, the emergence of athletic prowess in middle and long distance categories coincided with the independence movements. Since the 60s the success of athletes became tied with the process of nation building and the creation of a
 

lun 02/10/2017 > ven 13/10/2017

HANS BECKERS - KLOPOTEC ORKESTRA

Klopotec Orkestra is a music theatre show in which the so called sound installation is being played. A klopotec is an old wooden ratchet windmill from Slovenia, which forms the base of this project. Hans built a first prototype of this installation in 2015 and has since then been building different klopotec-models, each with their own [...]
 

lun 02/10/2017 > ven 13/10/2017

AURELIE DI MARINO - If there weren’t any blacks you’d have to invent them

Five actors attempt to translate the view on racism and identity from the mythical 60s into current terms. If there weren’t any blacks you’d have to invent them is a 1968 film by Johnny Speight. Almost exactly 50 years after this film was released, 5 actors play themselves to pieces in a re-enactment by taking on no less than 16 roles !
 

lun 18/09/2017 > dim 01/10/2017

JAHA KOO - CUCKOO

On the finite wisdom of a Korean rice cooker. Jaha Koo gives a touching insight into the tragedy of a lonely life in a thoroughly technologised society. A feeling of “helpless isolation”, 고립무원, is characteristic of the life of the younger generation in present-day South Korea, the home of theatre-maker Jaha Koo. Structural problems such as youth
 

lun 11/09/2017 > dim 01/10/2017

Rósa Ómarsdóttir – TRACES

“Maybe it is worth running the risks associated with anthropomorphism (superstition, devinization of nature, romanticism) because it, oddly enough, works against anthropocentrism : a chord is stuck between person and a thing, and I am no longer above or outside a nonhuman environment”. (Jane Bennett, Vibrant Matter) Together with Katie
 

lun 28/08/2017 > ven 08/09/2017

Alma Söderberg - Deep Etude

Deep Etude is a deep etude of embodied rhythm. Polyrhythm is the living object of study. A layering of rhythms by means of recorded sound (machine drum), live sound (voice) and dance (body) will take the listener back to where she already is. Deep Etude is a piece of dance and a piece of music where one and the other are both separable and [...]
 

lun 28/08/2017 > ven 08/09/2017

Youness Khoukhou — Noon

"One may be wrong even about “there being a hand here”. Only in particular circumstances is it impossible. Even in a calculation one can be wrong – only in certain circumstances one can’t.” Ludwig Wittgenstein There is no narrative in Noon, no logic. What we witness is the mental voyage of the choreographer, questioning meaning in movement.
 

lun 14/08/2017 > ven 25/08/2017

Varinia Canto Vila - Attention.app (working title)

In Attention.app (working title) two figures, two women, two bodies are committed in an exercise of reaching out to surfaces. The surface of their own bodies, the surface of the floor that is under their feet or even the walls of a building. The performers are aiming at testing borders, limits and passages to other territories in order to [...]
 

lun 14/08/2017 > ven 25/08/2017

David Weber Krebs – THE GUARDIANS OF SLEEP

To what place do people wander when they fall asleep ? They temporarily interrupt their activities and withdraw from the world. They escape from the globally connected present and enter into a place and a time of their own. But what role do people take when they are witnesses of this withdrawal in a theatre ? The Guardians Of Sleep is a [...]